The fluid human and animal forms carry the central concern of my work: vulnerability, both human and ecological, an essential counterpoint to the fragmented realities of our time. Drawing on mythological figures across cultures, I use drawing to hold what is disappearing: species, ecosystems, and the visibility of women’s bodies and histories within these same myths.

Drawing remains the core of my visual language, though I have recently extended this practice into installation and performance, most notably in Glow in the Dark, which brings sound, poetry and light art into dialogue with drawing to illuminate the lives of women artists who persisted against exclusion.

Across mediums, my work stages a quiet resistance: an attempt to reconfigure what is visible, to mourn what is lost, and to imagine other possible forms of kinship between human and non-human life.